Drift and deterritorialization in the dramaturgical writing process Odisseia 116

Autores/as

DOI:

https://doi.org/10.1590/1980-85852503880006606

Palabras clave:

viagem, dramaturgia, deriva, desterritorialização, identidade

Resumen

This article is an analysis of the writing process of the dramaturgy Odisseia 116 from a bus trip between Rio de Janeiro and Iguatu, in the interior of the State of Ceará and my homeland. The dramaturgy was structured on a triad: the autobiographical characteristics; the possibility of interviewing
people and photographing landscapes while traveling and the Homeric Odyssey. As a methodology, I opt for cartography based on the theoretical Suely Rolnik, comprising the two aesthetic acts on which I focus: travel and dramaturgy. It articulates issues of deterritorialization, derivation and identity.
In conclusion, I point out that the readings for the writing of this article have fed back my dramaturgical writing.

Publicado

2022-12-15

Cómo citar

Drift and deterritorialization in the dramaturgical writing process Odisseia 116. (2022). REMHU, Revista Interdisciplinar Da Mobilidade Humana, 30(66). https://doi.org/10.1590/1980-85852503880006606